Prithviraj Sukumaran and Parvathy Thiruvothu reunite on screen in Nissam Basheer’s I, Nobody, an ambitious socio-political family thriller that blends emotional drama with psychological intrigue. While the film begins with a compelling premise and maintains tension for much of its runtime, it ultimately falls short of delivering the emotional impact its intriguing setup promises.
The film opens with a mysterious sequence that immediately draws viewers into its world, reflecting Nissam Basheer’s signature style of building suspense through ambiguity rather than straightforward storytelling. Unlike his acclaimed psychological thriller Rorschach, I, Nobody takes a more grounded approach, centring on the struggles of a family of four caught in emotionally challenging circumstances.
Prithviraj and Parvathy, who previously shared remarkable chemistry in Ennu Ninte Moideen, appear together as parents for the first time. Alongside child actors Nakshathra and Ayra Iza, they create a believable family dynamic, with the younger performers adding authenticity to the emotional narrative.
Visually, I, Nobody is among the film’s strongest achievements. Nissam Basheer once again demonstrates his command over cinematic language, with carefully composed frames, distinctive camera work and thoughtfully designed musical sequences that enhance the emotional atmosphere rather than merely supporting the story.
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Despite its engaging first half and well-crafted technical execution, the film loses momentum in its latter stages. The narrative builds expectations of a major emotional turning point but ultimately takes a different direction, resulting in a climax that feels less impactful than anticipated.
Like Nissam’s earlier film Kettyolanente Malakha, which addressed the sensitive issue of marital rape, I, Nobody explores another socially relevant issue affecting families. While the film deserves credit for bringing the subject into mainstream cinema and also touching upon themes such as media influence and social stigma, it stops short of examining them in greater depth or offering a fully satisfying resolution.
Parvathy delivers another nuanced performance, effectively anchoring the family’s emotional journey, while Prithviraj excels in both dramatic and action sequences. Although the action scenes are well executed, they occasionally feel slightly exaggerated within the otherwise realistic setting.
Overall, I, Nobody succeeds as a technically polished film with an engaging premise and strong performances. However, its ambitious ideas are not matched by an equally powerful conclusion, making it a film that impresses in parts but falls just short of becoming truly memorable
